1920s Cloche Fashion Hat
This vintage style cloche hat has a tailored, classic 1920's look. The fabric is a damask upholstery fabric with a botanical print. A soft creamy buttery background with a pattern of hibiscus and philodendron leaves embroidered unto this exquisite fabric in 100% cotton. I used a faux vermilion suede for the brim and added a lipstick pink chiffon band and floral flourish as finishing touches. This is my first hat in my spring line. I have enough of this fabric for five hats. A little early, but I came across this fabulous fabric and just had to make this hat, beautiful! The hat is lined in a complimentary pale moss satin twill.
Reproduction Vintage Style Cloche Hat
A vintage style cloche hat using a more retro textured fabric. The fabric is a cotton poly blend in shades of peach, orange, gold and yellow with just the right touch of magenta in the design of geometric squares and dots. I made the brim from doupioni silk. The contrast of the silk adds interest to the flat color of the hat and the luminescent glow of the silk. I added a large floral flourish to one side and a elaborate gold button to the other.
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80 Glam Rock Fashion
Glam Rock Women's GR10184 Miami Collection Chronograph White Silicone Watch
Add an understated look to your outfit with this unique and detailed Glam Rock watch. This timepiece offers a white enamel dial in a rose gold tone ion plated stainless steel case with white ceramic cover.
Classic chronograph styling with a contemporary fashion sense, the Glam Rock Women's Miami Collection Watch is a versatile timepiece certain to pair well with virtually any formal or business ensemble. It features a rose gold ion-plated stainless steel case and white silicone band that closes with a traditional buckle. Also featured is a screw-down bezel and subdials on the white dial's three, six, and nine o'clock positions. The dial also boasts white jewels for hour markers and a date window at the four o'clock position. Additionally, the dial comes protected by a scratch-resistant sapphire crystal. Other features include reliable Swiss quartz movement, a white cabochon crown and pushers, and water resistance to 330 feet (100 meters).
Going to the Rock and Roll Hall of Fame Annex in New York City was a very media influenced and gendered experience. Surrounded by videos, photos, and the belongings of iconic stars with their music blaring in your ears, you are taking in the media and messages of the Rock world. Though we do not always think of it when we are listening to our favorite songs, there are definitely major gender divides in the world of music and Rock and Roll. However what I find most interesting is how in the world of Rock it becomes okay and almost encouraged to “transgress” or experiment with the accepted gender lines, at least when it comes to appearance. Rock and Roll has always been considered a rebellious style and kind of music so I suppose it is only natural that they rebel in this area as well.
When you walk into the museum you are given a small device that plays that adjusts to play the appropriate music as you are walking about the museum. So if you are looking at Michael Jackson’s leather jacket “Bad” will be ringing in your ears. As you walk about the museum you will find that the voices you hear are predominantly male. While Rock and Roll has certainly made a lot of progressive strides it still tends to be a male dominated style. Some of the sections are more overwhelming male than others. For example, the first females we saw were a few feet inside the exhibit and they were given their own section. They were the divas or the women famous for their big voices. People like Tina Turner and Aretha Franklin, who was actually named Rolling Stones best singer of all time. However, when you strolled over to the blues rock section with legendary bands like The Rolling Stones or Led Zeppelin there was not a woman in sight. Similarly in the hall dedicated to great guitarists, there were the likes of Hendrix and Eric Clapton but no females. And I must admit when it comes to rock music it is tough to think of an iconic female guitarist. However, when you look over the art inspired rock with the likes of Blondie and Coldplay things became much more gender neutral. There were lesser known female bands as well as some iconic female figures. The singer song writer section was similarly more balanced though still male dominated. Surprisingly the most gender neutral exhibit was the “icons“ exhibit with people who had changed the face of Rock Music. As it displayed images of the huge memorable names in music, there seemed to be just as many females as there were males. With the likes of Madonna, Janis Joplin, and Arehta next to Prince, Dylan and Michael Jackson.
There are all kinds of gender messages in the way these exhibits are set up and displayed. As there are very few female bands it seems to suggest that woman are more likely to or are more successful at performing solo. Also the lack of female guitarist compared to the exhibit dedicated to women just for their voices seems to suggest that women are better singers while men are better instrumentalists. However, when it comes to performers the museum suggests that women can put on a show just as well as a man can, if not better. Likewise in the people who have changed the face of rock and roll Madonna matches Michael step for step and it seems that although Rock is a male dominated genre it is one that has been clearly shaped by both genders.
Lastly what I found very interesting was the clothing and the style. Here Rock and Roll throws all gender expectations out the window and goes for the loudest, the brightest, and the wildest. Most of the early 1960’s clothing seems to be suits for men and dresses for women. While they are usually mod style suits or short dresses they are still relatively conservative. As the decade progressed into the 70’s and 80’s the fashion got really wild. Most notable has to be the long and big hair for men. Normally associated with women and not worn by anyone outside of the Rock and Roll world or those aiming to be a part of the subcultures, men proudly wore long hair in the 60’s and into the 70’s and had big tweezed out wild hair in the 80’s. In fact the bigger it was the better. As glam rock took center stage, men in rock began to break all preconceived and expected gender notions by wearing bright make up, tons of glitter and sparkles, and outfits that looked like they belonged on a wild woman. Walking around the museum it is almost hard to tell which gender the clothes were for. On of the guys from Cream has thigh high leopard print boots, while princes suit sets are tight flared pants and bedazzled cropped jackets, even Johnny Cash’s cow boy boots are black suede with flowers stitched up the sides. Most notably the Rolling Stones proudly wore one piece jump suits, low cut in the front and flared at the bottom that strongly resemble dresses. While most are bright and covered in sparkles one of Mick Jaggers is white with little blue flowers, it looks like a night dress a grandmother would wear but when Mick wears it, its Rock and Roll. Lik
Bolsos inspirados en la decada de los 80' para el museo de la moda
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80 glam rock fashion
When it first appeared in the early 1970s, glam rock not only caused a stir among audiences and performers, it also stood counterculture and psychedelic rock on their heads. Glam rock was outrageous and overtly theatrical, and its unforgettable characters-adorned with flamboyant costumes and heavy makeup and accompanied by elaborately constructed sets-were personified by performers such as Marc Bolan, David Bowie, Bryan Ferry, and Suzi Quatro. A sea change in rock performance had occurred.
Yet glam was as much about substance as style, and Performing Glam Rock delves into the many ways glam paved the way for new explorations of identity in terms of gender, sexuality, and performance. Philip Auslander positions glam historically and examines it as a set of performance strategies, exploring the ways in which glam rock-while celebrating the showmanship of 1950s rock and roll-began to undermine rock's adherence to the ideology of authenticity in the late 1960s.
In this important study of a too-often-overlooked phenomenon, Auslander takes a fresh look at the genius of the glam movement and introduces glam to a new generation of performance enthusiasts and scholars alike.
Philip Auslander is Professor in the School of Literature, Communication, and Culture at the Georgia Institute of Technology and author of numerous books, including Liveness: Performance in a Mediatized Culture and Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. He is editor of the major reference work Performance: Critical Concepts and coeditor, with Carrie Sandahl, of Bodies in Commotion: Disability and Performance.
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Black Girl Fashion
Black Girl/Borom Sarret
Diouana (Mbissine Therese Diop) is a stranger in a strange land. In Dakar, she was a nanny--a job she found fulfilling--but is forced to leave when her employers, Madame (Anne-Marie Jelinek) and Monsieur (Robert Fontaine), relocate to Antibes. The Riviera is lovely, but she is demoted to maid and regularly reminded of her exotic origins--treated as an object and exploited for her "Africanness." Proud and impassive, Diouana rarely speaks, but a running monologue reveals her growing disillusionment. "The kitchen, the bathroom, the bedroom, the living room. That's all I do. That's not what I came to France for!" So Diouana revolts the only way she knows how and stops doing everything for which she was taken from Senegal--cooking, cleaning, etc. Based on his short story, in turn inspired by actual events, Black Girl was the first feature from Ousmane Sembene (Faat Kine), the premier filmmaker of Sub-Saharan Africa. Though shot in a crude new wave style, the 60-minute film (also released in a 70-minute edition), effectively delineates the life of an unseen individual with no means of solace or escape. Interestingly, all parts were dubbed by other actors, contributing to the sense of alienation--even between Madame and Monsieur, who were also happier in Dakar. Black Girl (La Noire de...) is accompanied by Sembene's 1963 debut, Borom Sarret. The 20-minute short offers an insightful look at a day in the life of a Dakar-based horse-cart driver (Ly Abdoulaye) or borom sarrett (from the French bonhomme charret). --Kathleen C. Fennessy
long black hair
gothic girl playing with her long black hair.
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Black black black
I wear a lot of black
silk dress - Old Navy
cardigan - Bluenotes
boots - my mum's
lion's head belt - vintage
necklace - vintage
handbag - a jewelry box by Tuscan Designs
black girl fashion
Janet Jackson, Thandie Newton, and Whoopi Goldberg head up an all-star cast in a vibrant world where friends and strangers dream, fear, cry, love, and laugh out loud in an attempt to find their true selves. Adapted by writer/director Tyler Perry from Ntozake Shange's acclaimed choreopoem, this gripping film paints an unforgettable portrait of what it means to be a woman of color in the modern world.
Tyler Perry breaks through to a new level of achievement as a writer and director in his remake of For Colored Girls (based on the groundbreaking 1970s play For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, by Ntozake Shange). The cast is superb, especially Kimberly Elise and Phylicia Rashad. And the rest of the cast is just as compelling, including a low-key Janet Jackson, Loretta Devine, singer Macy Gray, Thandie Newton, Whoopi Goldberg, Kerry Washington, and Anika Noni Rose. For Colored Girls follows each actress/character as she faces prejudice, economic challenges, male abandonment, role upheaval--and all the emotions that go along with them. The original play was performed as poetry, and while the editing of For Colored Girls is a little uneven, Perry lets Shange's poetry truly shine through. Any person of color, any woman, and anyone who cares about them, will be drawn in to the deepest dramas a woman of color can experience--in the '70s or today. Viewers will get goose bumps when Newton's character, Tangie, says, "Being alive and being a woman is all I got, but being colored is a metaphysical dilemma I haven't conquered yet." And Elise as Crystal is utterly heartbreaking, with a performance reminiscent of her unforgettable turn in Beloved. The soundtrack of For Colored Girls is as unforgettable as the film, with performances by Gray, Sharon Jones, and others, including Estelle, in a showstopping version of "All Day Long (Blue Skies)." The blues may be wrenching--but in For Colored Girls, they make up the poetry of life. --A.T. Hurley
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Classic Fashion Styles
Knitting Classic Style: 35 Modern Designs Inspired by Fashion's Archives
Classic projects that will maintain their appeal for many years instead of just one or two fashion seasons
Elegant yet retro-cool projects
In fashion, one day you’re in, the next day you’re out . . . and the day after that, you’re back in again. Designers are always referring to fashion’s rich history as they imagine its present and future, and retro looks remain ever-fresh as they are renewed—and restyled—for the next generation of wearers.
That’s precisely what top knitwear designer Veronik Avery is up to in Knitting Classic Style. Mining fashion’s endless archive, Avery has created 35 smashingly contemporary garments that take their cues from decades and designers past. The collection of clothing and accessories Avery presents is organized into four thematic chapters that highlight women’s wear, men’s wear (and its influence on women’s and children’s clothing), traditional ethnic garb, and sportswear.
Aimed at both beginning and more advanced knitters, the book’s projects range in difficulty from a simple drawstring purse, French beret, and Afghan-inspired slipper-socks to a shawl-collared cardigan, a geometric ski sweater based on a popular 1950s Native American design, and Avery’s own reinterpretation of the trimly elegant Chanel jacket. The author introduces each project by explaining its historical/cultural roots; Sara Cameron’s moody photos evoke the settings that have inspired Avery’s reworkings of the classics.
FASHION IN STYLE-10
FASHION IN STYLE-10_Here's a a fashion tribute to one of our wonderful member_Sterretje(a.k.a.Rakhee)
This photo was originally colored, i transformed it into a classic black and white series.
Sterretje_is one of our image models for the Fahsion in Style column_womens division.
FASHION IN STYLE albushkina
FASHION IN STYLE_ Here's a Fashion in Style tribute to one of our wonderful member in the Pinklaine Group_albushkina_in a PRADA FASHION TRIBUTE_making use of the sepia tone to enhance the classic style of fashion
classic fashion styles
Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century--a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers--Paul Poiret, Germaine Bongard, and Coco Chanel--and three breakthrough fashion magazines--La Gazette du Bon Ton, Vanity Fair, and Vogue--Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Leon Bakst, writer and director Jean Cocteau, Amedee Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read.
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Discount Urban Fashion
Grey Stripes Silk Pre-tied Bowtie, Cufflinks, Hanky Present Box Set dark grey discount bowtie Pointe BT2084
Headquartered in Sydney, Australia, FashionOn is a multichannel online retailer and wholesaler with huge range that has a strong focus on fashionable men??s and women??s accessories, including ties, bow ties, cufflinks, vest sets, hankies, suspenders, cummerbunds, money clips, necklaces and bracelets.
FashionOn has a philosophy of continuous service improvement, which is supported by a consistent program of seeking new designs to be grouped into our brand group, which includes FashionOn, Y&G, Brian Boss, Pointe, Wise, Dan Smith. This is designed to lay a platform for future growth.
We work closely with manufacturers to bring you a variety of unique choices, at prices that fit every budget. New accessories are added monthly and the designs available are constantly updated. With around 15000 designs in stock, our products have adorned thousands of grooms at wedding, and are best gift for birthday, Christmas and all events.
The secret to dressing well is found in the little things, the details. And one of the most important details for a man is the bowtie. This Pointe pre-tied bow tie is the most formal and most classic bow tie choice that is perfect for any classic tie function. Made of 100% silk, this charming handmade bow tie features a lustrous satin shine, and is pre-tied to guarantee a perfect Pointe bowtie knot every time.
With exactly the same color and pattern cufflinks and hankchief, this bowties set makes the perfect gift, and would certainly look stunning on any wedding daygroom.
Overall: ***** (5.0)
Urban Outfitters must ‘navigate fashion shift’ in response to stormy drop in Q4 sales
The American retail chain showed an unexpected 3.1 per cent drop in last year’s final quarter, when sales also fell short of expectations.
Urban’s parent company Anthropologie put the figures down to a ‘shift in fashion,’ whereby their stores were forced to increase discounts on particular lines to clear excess inventory. Anthropoligie went onto warn that the retailer would continue to experience the markdowns until it ‘successfully navigates the fashion shift’.
And by the sounds of things it may be a while before Urban shareholders can relax. According to the Group’s executives, the apparel business isn’t likely to gain positive momentum for another six months.
The south entrance of Le Faubourg de L'Île shopping centre in Pincourt.
This is the entrance at the southwest corner of Le Faubourg de L'Ile shopping centre, formerly Centre d'achats Ile Perrot, in Pincourt.
This extension, adding an "L" to the former "7"-shaped shopping center to make it a complete rectangle as well as adding a Zellers department store, was added in 1993. The Urban Planet fashion store is in the location formerly occupied by Pharmaprix (Shoppers Drug Mart), which moved to the former Maxi space when Maxi moved to a larger location across Cardinal Leger Boulevard.
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Ambassador readers are modern and classy, and look sharp on the face of any man or woman. This style has a refined, understated dignity that comes in either a blue tortoise frame or a standard amber tortoise. The spring-hinge temples and lightweight design ensure you'll be comfortable for extended reading sessions. Non-prescription reading glasses are an excellent choice for those who need a reading lens but don't want to spend hundreds of dollars on eye exams and frames. Please visit our storefront to find many more quality reading glasses and reading sunglasses.
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